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<front>
<journal-meta>
<journal-id journal-id-type="publisher-id">Front. Psychol.</journal-id>
<journal-title>Frontiers in Psychology</journal-title>
<abbrev-journal-title abbrev-type="pubmed">Front. Psychol.</abbrev-journal-title>
<issn pub-type="epub">1664-1078</issn>
<publisher>
<publisher-name>Frontiers Media S.A.</publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.3389/fpsyg.2021.759616</article-id>
<article-categories>
<subj-group subj-group-type="heading">
<subject>Psychology</subject>
<subj-group>
<subject>Original Research</subject>
</subj-group>
</subj-group>
</article-categories>
<title-group>
<article-title>The Differential Impact of Mystery in Nature on Attention: An Oculometric Study</article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author" corresp="yes">
<name><surname>Marois</surname> <given-names>Alexandre</given-names></name>
<xref ref-type="aff" rid="aff1"><sup>1</sup></xref>
<xref ref-type="aff" rid="aff2"><sup>2</sup></xref>
<xref ref-type="corresp" rid="c001"><sup>&#x002A;</sup></xref>
<uri xlink:href="http://loop.frontiersin.org/people/1440301/overview"/>
</contrib>
<contrib contrib-type="author">
<name><surname>Charbonneau</surname> <given-names>Brooke</given-names></name>
<xref ref-type="aff" rid="aff3"><sup>3</sup></xref>
<xref ref-type="aff" rid="aff4"><sup>4</sup></xref>
<uri xlink:href="http://loop.frontiersin.org/people/1578099/overview"/>
</contrib>
<contrib contrib-type="author">
<name><surname>Szolosi</surname> <given-names>Andrew M.</given-names></name>
<xref ref-type="aff" rid="aff5"><sup>5</sup></xref>
<uri xlink:href="http://loop.frontiersin.org/people/113605/overview"/>
</contrib>
<contrib contrib-type="author">
<name><surname>Watson</surname> <given-names>Jason M.</given-names></name>
<xref ref-type="aff" rid="aff3"><sup>3</sup></xref>
</contrib>
</contrib-group>
<aff id="aff1"><sup>1</sup><institution>&#x00C9;cole de Psychologie, Universit&#x00E9; Laval, Quebec City</institution>, <addr-line>QC</addr-line>, <country>Canada</country></aff>
<aff id="aff2"><sup>2</sup><institution>Thales Research and Technology Canada, Quebec City</institution>, <addr-line>QC</addr-line>, <country>Canada</country></aff>
<aff id="aff3"><sup>3</sup><institution>Department of Psychology, University of Colorado Denver</institution>, <addr-line>Denver, CO</addr-line>, <country>United States</country></aff>
<aff id="aff4"><sup>4</sup><institution>Department of Psychology, Montana State University</institution>, <addr-line>Bozeman, MT</addr-line>, <country>United States</country></aff>
<aff id="aff5"><sup>5</sup><institution>Department of Recreation, Sport Pedagogy, and Consumer Sciences, Ohio University</institution>, <addr-line>Athens, OH</addr-line>, <country>United States</country></aff>
<author-notes>
<fn fn-type="edited-by"><p>Edited by: Eleanor Ratcliffe, University of Surrey, United Kingdom</p></fn>
<fn fn-type="edited-by"><p>Reviewed by: Joel Mart&#x00ED;nez-Soto, University of Guanajuato, Mexico; Colin Ellard, University of Waterloo, Canada</p></fn>
<corresp id="c001">&#x002A;Correspondence: Alexandre Marois, <email>alexandre.marois@thalesgroup.com</email></corresp>
<fn fn-type="other" id="fn004"><p>This article was submitted to Environmental Psychology, a section of the journal Frontiers in Psychology</p></fn>
</author-notes>
<pub-date pub-type="epub">
<day>09</day>
<month>12</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="collection">
<year>2021</year>
</pub-date>
<volume>12</volume>
<elocation-id>759616</elocation-id>
<history>
<date date-type="received">
<day>16</day>
<month>08</month>
<year>2021</year>
</date>
<date date-type="accepted">
<day>22</day>
<month>11</month>
<year>2021</year>
</date>
</history>
<permissions>
<copyright-statement>Copyright &#x00A9; 2021 Marois, Charbonneau, Szolosi and Watson.</copyright-statement>
<copyright-year>2021</copyright-year>
<copyright-holder>Marois, Charbonneau, Szolosi and Watson</copyright-holder>
<license xlink:href="http://creativecommons.org/licenses/by/4.0/"><p>This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.</p></license>
</permissions>
<abstract>
<p>Nature exposure can provide benefits on stress, health and cognitive performance. According to Attention Restoration Theory (ART), the positive impact of nature on cognition is mainly driven by fascination. Fascinating properties of nature such as water or a winding hiking trail may capture involuntary attention, allowing the directed form of attention to rest and to recover. This claim has been supported by studies relying on eye-tracking measures of attention deployment, comparing exposure to urban and nature settings. Yet, recent studies have shown that promoting higher engagement with a nature setting can improve restorative benefits, hence challenging ART&#x2019;s view that voluntary attention is resting. Besides, recent evidence published by <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref> suggests that voluntary attention may be involved during exposure to high-mystery nature images which they showed as having greater potential for attention restoration. The current study explored how exposure to nature images of different scenic qualities in mystery (and restoration potential) could impact the engagement of attention. To do so, participants were shown nature images characterized by either low or high mystery properties (with allegedly low or high restoration potential, respectively) and were asked to evaluate their fascination and aesthetic levels. Concurrently, an eye tracker collected measures of pupil size, fixations and spontaneous blinks as indices of attentional engagement. Results showed that high-mystery nature images had higher engagement than low-mystery images as supported by the larger pupil dilations, the higher number of fixations and the reduced number of blinks and durations of fixations. Taken together, these results challenge ART&#x2019;s view that directed attention is merely resting during exposure to restorative nature and offer new hypotheses on potential mechanisms underlying attention restoration.</p>
</abstract>
<kwd-group>
<kwd>nature</kwd>
<kwd>Attention Restoration Theory (ART)</kwd>
<kwd>mystery</kwd>
<kwd>attention</kwd>
<kwd>eye tracking</kwd>
</kwd-group>
<counts>
<fig-count count="4"/>
<table-count count="1"/>
<equation-count count="0"/>
<ref-count count="121"/>
<page-count count="15"/>
<word-count count="13436"/>
</counts>
</article-meta>
</front>
<body>
<sec id="S1" sec-type="intro">
<title>Introduction</title>
<p>With the omnipresence of technology and the high prevalence of urban or suburban life, nature exposure has significantly decreased over the last few decades. For instance, attendance to the main United States national parks has declined nearly 7% between 1993 and 2010 (<xref ref-type="bibr" rid="B104">Stevens et al., 2014</xref>). The COVID-19 pandemic also contributed to exacerbate this issue. In a recent survey conducted by <xref ref-type="bibr" rid="B80">Moore et al. (2020)</xref>, it was reported that, during virus outbreak, time spent outside by Canadian children and youth reduced, whereas screen and social media time increased. Literature has, however, shown that nature exerts many positive impacts, including benefits for health (<xref ref-type="bibr" rid="B13">Bowler et al., 2010</xref>; <xref ref-type="bibr" rid="B111">Twohig-Bennett and Jones, 2018</xref>), affects (<xref ref-type="bibr" rid="B76">McMahan and Estes, 2015</xref>), stress (<xref ref-type="bibr" rid="B43">Hunter et al., 2019</xref>; <xref ref-type="bibr" rid="B120">Yin et al., 2020</xref>) and even cognition (<xref ref-type="bibr" rid="B85">Ohly et al., 2016</xref>; <xref ref-type="bibr" rid="B106">Stevenson et al., 2018</xref>). Considering the high demands known to incur from technology usage, multitasking and other daily life challenges, nature&#x2019;s positive effect on cognition can be particularly useful to reduce fatigue or depletion. Such effects have been observed through lab and outdoor experiments, often relying on pre-post interventions to assess the potential recovery effects of nature on executive attention. Benefits have been observed on many cognitive activities including but not limited to creative problem solving (<xref ref-type="bibr" rid="B2">Atchley et al., 2012</xref>), working memory (<xref ref-type="bibr" rid="B100">Shin et al., 2011</xref>; <xref ref-type="bibr" rid="B9">Berman et al., 2012</xref>), inhibitory control of competing stimuli (<xref ref-type="bibr" rid="B8">Berman et al., 2008</xref>; <xref ref-type="bibr" rid="B16">Chung et al., 2018</xref>) and sustained attention (<xref ref-type="bibr" rid="B10">Berto, 2005</xref>; <xref ref-type="bibr" rid="B87">Pasanen et al., 2018</xref>).</p>
<p>According to Attention Restoration Theory (hereafter ART; <xref ref-type="bibr" rid="B52">Kaplan, 1995</xref>), nature&#x2019;s benefits on attention originates from the characteristics nature inherently possesses. More precisely, ART posits that attention can be restored when the person-environment interaction has four factors. A person must first garner a sense of being physically or conceptually away from any distraction, worry or demanding situation from their daily life (being away). One must also be exposed to a context that is compatible with their purpose and inclinations (compatibility). Restorative environments must also capture visual attention with their fascinating properties (fascination) as well as be sufficiently rich and coherent such that attention is not only captured but also sustained (extent). Nature can help recover attention in response to these four properties; yet, fascination may play a particularly important role. Fascination is deemed effortless and automatic (<xref ref-type="bibr" rid="B46">James, 1892</xref>; <xref ref-type="bibr" rid="B4">Baumeister et al., 2000</xref>), typically involves attractive patterns difficult not to attend (<xref ref-type="bibr" rid="B11">Berto et al., 2010</xref>) and links to the tendency to process information under uncertainty (<xref ref-type="bibr" rid="B51">Kaplan and Kaplan, 1989</xref>; see also <xref ref-type="bibr" rid="B81">Mueller et al., 1972</xref>). At moderate levels&#x2014;referred to as soft fascination&#x2014;it is similar to James&#x2019; (1892) concept of involuntary attention (i.e., attention that requires no effort, triggered by a stimulus&#x2019; &#x201C;direct exciting quality&#x201D;), promoting a reduction in demands on executive-based attention (<xref ref-type="bibr" rid="B52">Kaplan, 1995</xref>, <xref ref-type="bibr" rid="B53">2001</xref>; see also <xref ref-type="bibr" rid="B88">Pearson and Craig, 2014</xref>) and thus allowing directed attention to rest and recover as supported by improved performance on cognitive tasks observed at post-intervention assessments (e.g., <xref ref-type="bibr" rid="B8">Berman et al., 2008</xref>; <xref ref-type="bibr" rid="B2">Atchley et al., 2012</xref>; <xref ref-type="bibr" rid="B96">Sahlin et al., 2016</xref>). Fascination is driven by bottom-up processing and it differs from directed (or voluntary) attention, which rather refers to top-down effortful processes driven by inner intentions (<xref ref-type="bibr" rid="B25">Eimer et al., 1996</xref>). Both forms of attention have been associated with different origins and mechanisms of action in the brain (e.g., <xref ref-type="bibr" rid="B82">N&#x00E4;&#x00E4;t&#x00E4;nen et al., 1980</xref>; <xref ref-type="bibr" rid="B75">Mayer et al., 2004</xref>; <xref ref-type="bibr" rid="B61">Landau et al., 2007</xref>; <xref ref-type="bibr" rid="B94">Prinzmetal et al., 2009</xref>; but see <xref ref-type="bibr" rid="B90">Peelen et al., 2004</xref>). In ART, Kaplan proposed that nature can help recover the limited voluntary attention resources depleted by cognitively-demanding daily tasks because of its capacity to effortlessly capture involuntary attention (<xref ref-type="bibr" rid="B40">Herzog et al., 1997</xref>; <xref ref-type="bibr" rid="B54">Kaplan and Berman, 2010</xref>).</p>
<p>Consistent with ART, recent empirical work supports the notion that fascinating stimuli of nature can softly capture involuntary attention. For instance, <xref ref-type="bibr" rid="B11">Berto et al. (2010)</xref> fatigued participants before asking them to perform a Sustained Attention to Response Task (SART) where they needed to monitor sequences of built and nature environments of low and high fascination and respond on infrequent targets that appeared either on a cued position (valid trial) or at random (invalid trial). Their results showed that the cost/benefit difference in reaction time between valid and invalid trials was improved in the high fascination trials, but not in low fascination trials, for both images of nature and built environments. They interpreted this result as evidence that high fascinating stimuli reduced the need to suppress and inhibit distraction, hence facilitating the involuntary attention orienting toward the target. <xref ref-type="bibr" rid="B42">Hopman et al. (2020)</xref> relied on resting-state posterior alpha power changes to examine whether a multiday trip to nature could induce differences in introspection and internally-focused attention as compared with pre- and post-trip control testing. According to the authors, the lower resting state posterior alpha power changes they observed during the nature trip was consistent with ART&#x2019;s view that nature exogenously captures involuntary attention, hence reducing possibilities for internal reflection (see also <xref ref-type="bibr" rid="B112">Ulrich et al., 1991</xref>; <xref ref-type="bibr" rid="B16">Chung et al., 2018</xref>; <xref ref-type="bibr" rid="B86">Olszewska-Guizzo et al., 2018</xref>; <xref ref-type="bibr" rid="B99">Scott et al., 2020</xref>).</p>
<p>A few studies have also directly investigated the role of attention through eye-tracking measures, including fixation, eye blinks and pupillary measures. Such metrics have been shown to provide a window to the deployment and engagement of visual attention and cognitive activity (e.g., <xref ref-type="bibr" rid="B50">Kahneman, 1973</xref>; <xref ref-type="bibr" rid="B5">Beatty, 1982</xref>; <xref ref-type="bibr" rid="B19">Culham et al., 1998</xref>; <xref ref-type="bibr" rid="B115">Van Orden et al., 2001</xref>; <xref ref-type="bibr" rid="B45">Irwin and Thomas, 2010</xref>; <xref ref-type="bibr" rid="B15">Chen et al., 2011</xref>; <xref ref-type="bibr" rid="B101">Shultz et al., 2011</xref>; <xref ref-type="bibr" rid="B113">Unsworth and Robison, 2017</xref>; <xref ref-type="bibr" rid="B70">Marois and Vachon, 2018</xref>). For instance, <xref ref-type="bibr" rid="B12">Berto et al. (2008)</xref> assessed the amount of engagement toward images of high-fascinating nature and low-fascinating built environments using fixations and saccadic movements measured by an eye-tracking system. Their results showed that low-fascination built (non-restorative) environments triggered more fixations than nature high-fascination images, suggesting inferior volition of attention during exposure to high-fascination nature. <xref ref-type="bibr" rid="B114">Valtchanov and Ellard (2015)</xref> also observed consistent results by showing a lower number of fixations, fixations of longer durations and a reduced amount of eye blinks when viewing nature scenes compared with urban scenes (see also <xref ref-type="bibr" rid="B29">Fran&#x011B;k et al., 2018</xref>). Moreover, <xref ref-type="bibr" rid="B71">Mart&#x00ED;nez-Soto et al. (2019)</xref> replicated the reduced number of fixations and their longer duration for nature restorative images compared with urban non-restorative images, but also showed higher pupil dilation for restorative nature images, which they ascribed to the superior affective preference for restorative nature environments. Overall, these results support ART&#x2019;s interpretation that restorative environments elicit lower engagement of voluntary attention, particularly when comparing urban and nature scenes.</p>
<p>Yet, it has also been shown that attention restoration by nature may benefit from higher attentional engagement toward the restorative stimuli which contradicts the idea that attention would rest rather than being engaged toward restorative nature. For example, <xref ref-type="bibr" rid="B23">Duvall (2011)</xref> asked participants to take part in an outdoor-based intervention that consisted of taking at least three 30-min walks per week for 2 weeks. Participants were either assigned to a condition in which they had to develop a walking schedule with the researcher before the intervention (standard care group) or had to use awareness strategies regarding the environment while they were walking (engagement group). Results showed that subjects in the engagement group significantly improved their attentional functioning on a modified version of the Attentional Functioning Index (e.g., <xref ref-type="bibr" rid="B17">Cimprich, 1992</xref>). <xref ref-type="bibr" rid="B87">Pasanen et al. (2018)</xref> reached similar conclusions with people taking a single walk in an outdoor natural environment while being actively engaged toward the setting (e.g., looking around, finding one&#x2019;s favorite place or searching for a place related to one&#x2019;s situation in life). Indeed, participants who were asked to actively engage during their walk showed reduced commissions errors on the SART at post-test. These results strongly suggest that superior engagement and deployment of voluntary attention toward the restorative setting might be better for attention restoration (see also <xref ref-type="bibr" rid="B62">Lin et al., 2014</xref>; <xref ref-type="bibr" rid="B14">Browning et al., 2020</xref>). In fact, a recent eye-tracking study conducted by <xref ref-type="bibr" rid="B105">Stevenson et al. (2019)</xref> supported this conclusion. Specifically, the authors asked participants to either walk through a natural environment or urban environment while wearing a mobile eye tracker and performing the attention network task before and after the walk. Their results showed a faster and more stable pattern of results on the attention network task for participants that walked in nature, supportive of restoration of attention. Moreover, a higher fixation rate was observed for participants who walked in nature compared with those walking through a city. This finding supports the notion that voluntary attention might be active when one is being exposed to nature, which is in direct opposition with ART and with the other eye-tracking studies discussed above (cf. <xref ref-type="bibr" rid="B12">Berto et al., 2008</xref>; <xref ref-type="bibr" rid="B114">Valtchanov and Ellard, 2015</xref>; <xref ref-type="bibr" rid="B29">Fran&#x011B;k et al., 2018</xref>; <xref ref-type="bibr" rid="B71">Mart&#x00ED;nez-Soto et al., 2019</xref>).</p>
<p>One way to better understand the mechanisms underlying attention restoration by nature is to investigate the impacts of several nature settings characterized by different levels of restoration-promoting properties. This allows one to control for any potential specific nature-urban differences that might be difficult to disentangle in studies employing nature vs. urban comparisons (<xref ref-type="bibr" rid="B99">Scott et al., 2020</xref>). According to <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref>, all nature is not equal, and more importantly, nature that specifically contains patterns of mystery may be particularly useful at opening opportunities for rest and mental state recovery given the known relationship between mystery and fascination (<xref ref-type="bibr" rid="B38">Herzog and Kropscott, 2004</xref>; <xref ref-type="bibr" rid="B103">Stamps, 2004</xref>). Here, mystery is defined as the characteristics of a setting that promote exploration, engaging and sustaining a person&#x2019;s interest or fascination because of the sense that it can provide more than the information immediately available (see <xref ref-type="bibr" rid="B55">Kaplan and Kaplan, 1982</xref>, <xref ref-type="bibr" rid="B51">1989</xref>; <xref ref-type="bibr" rid="B103">Stamps, 2004</xref>; <xref ref-type="bibr" rid="B108">Szolosi et al., 2014</xref>). It refers to settings that contain certain portions of the landscape that are obstructed or concealed (curvier patterns, richer in texture and poorer in color and luminance) such as a bend in a trail, a view hidden by foliage, or a stream that meanders out of sight (<xref ref-type="bibr" rid="B33">Hammitt, 1980</xref>; <xref ref-type="bibr" rid="B30">Gimblett et al., 1985</xref>). Given its ability to encourage one to venture, engage and discover more than there is&#x2014;thus its close relation with fascination&#x2014;mystery could offer benefits for attention restoration, especially given the aforementioned relation between engagement and restorative benefits (cf. <xref ref-type="bibr" rid="B23">Duvall, 2011</xref>; <xref ref-type="bibr" rid="B62">Lin et al., 2014</xref>; <xref ref-type="bibr" rid="B87">Pasanen et al., 2018</xref>; <xref ref-type="bibr" rid="B14">Browning et al., 2020</xref>). Therefore, manipulating mystery levels of nature images offer the possibility to control for restoration potential by relying only on nature images, putting aside any undesirable variability that would arise from urban settings.</p>
<p>Using a recognition memory task, <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref> showed that, with longer presentation duration at encoding (presumably permitting greater opportunity for deployment of voluntary attention), nature images perceived and rated high in mystery were significantly better recognized than those perceived low in mystery. Moreover, results on a self-reported perceived restoration scale supported that high-mystery images were considered more fascinating and restorative than low-mystery images. While investigating the impact of mystery and showing that it could lead to increased restorative benefits, <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref> also outlined an important aspect related to the role played by both voluntary and involuntary forms of attention during restoration. Given that involuntary processes are typically automatic and rapid while voluntary ones are controlled and contingent on greater time spent on task, manipulating image exposure time allowed them to simulate demand on attention and assess whether, at different durations, benefits could be observed. By observing that longer presentation durations entailed larger benefits, they showed memory performance was in fact related to the extent of directed/voluntary &#x201C;effort&#x201D; deployed with increased viewing time. Besides, the authors ran a mediation analysis and showed that the differences in benefits on recognition memory performance between both mystery sets were attributable to ratings in perceived fascination, but only for longer exposure durations (for 5 and 10 s, but not for 1 s). This outcome suggests that the positive effect of mystery, which in fact could be explained by differences in fascination levels, emerged only for longer periods wherein voluntary forms of attention could be deployed. Hence, from their perspective, nature endowed with higher restorative potential might be related to superior cognitive engagement and, therefore, higher recruitment of voluntary attention. To our knowledge, <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref>&#x2019;s study represents the only investigation of the role of attention during restoration relying on two sets of nature images characterized by different restoration potential. However, <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref>&#x2019;s evidence on the active role of attention remains indirect, meaning that the alleged superior engagement of attention during exposure to more restorative, high-mystery nature images was assessed through the differential impact of several exposure durations on recognition memory performance.</p>
<p>The goal of the current study was to follow-up on <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref> study by exploring how voluntary attention could be deployed while being exposed to nature images of different mystery levels, with presumably different potential for restoration. To reach this goal, participants were asked to actively look at 80 images (40 low- and 40-high mystery images which previously elicited restoration effects; see <xref ref-type="bibr" rid="B108">Szolosi et al., 2014</xref>) for 5,000 ms each and rate them on their fascinating and aesthetic properties. The objective of this task was to promote engagement of voluntary attention. While participants were deploying their attention toward the nature images, an eye tracker system collected measures of pupil size and eye fixations. Spontaneous eye blinks (see <xref ref-type="bibr" rid="B27">Espinosa et al., 2020</xref>) were also measured given their known relationship with cognitive functioning (e.g., <xref ref-type="bibr" rid="B48">Jongkees and Colzato, 2016</xref>; <xref ref-type="bibr" rid="B24">Eckstein et al., 2017</xref>). These measures were used to assess the extent to which participants were actively engaged toward each image of nature, thereby determining the impact of mystery on attention deployment given its positive relation with the number of fixations and pupil size, and its negative association with blink rate, blink duration and fixation duration (e.g., <xref ref-type="bibr" rid="B50">Kahneman, 1973</xref>; <xref ref-type="bibr" rid="B5">Beatty, 1982</xref>; <xref ref-type="bibr" rid="B19">Culham et al., 1998</xref>; <xref ref-type="bibr" rid="B115">Van Orden et al., 2001</xref>; <xref ref-type="bibr" rid="B45">Irwin and Thomas, 2010</xref>; <xref ref-type="bibr" rid="B15">Chen et al., 2011</xref>; <xref ref-type="bibr" rid="B101">Shultz et al., 2011</xref>; <xref ref-type="bibr" rid="B113">Unsworth and Robison, 2017</xref>; <xref ref-type="bibr" rid="B70">Marois and Vachon, 2018</xref>). Such a manipulation permitted attentional engagement with nature on a much shorter time scale than many ART intervention studies, skewing toward involuntary forms of attention in comparison with previous ART literature, but still with durations long enough to presumably engage voluntary attention controlled processes similar to <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref>. Considering that participants were asked to actively (and voluntarily) look at the images and to rate them, if differences in attention engagement metrics should emerge, this would be attributable to a different level of voluntary attention engagement facilitated by the characteristics of each (high- or low-mystery) image.</p>
<p>In line with <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref>, high mystery nature was expected to be perceived as more fascinating and rated with higher levels of likeability. We also anticipated increased attentional engagement as measured by the eye-tracking measures (i.e., increased pupillary dilations and fixation number, and reduced blinks and fixation duration) for high-mystery images compared with low-mystery images given <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref>&#x2019;s demonstration that memory performance benefited from longer exposure durations, especially for high mystery images. Per ART&#x2019;s perspective, the alternative hypothesis was that eye-tracking measures could rather support lower engagement (i.e., inferior pupillary dilations and fixation number, and increased blinks and fixation duration) for high-mystery images compared with low-mystery images given the notion that voluntary attention is expected to rest while one is exposed to restorative nature.</p>
</sec>
<sec id="S2" sec-type="materials|methods">
<title>Materials and Methods</title>
<sec id="S2.SS1">
<title>Participants</title>
<p>Fifty students from University of Colorado Denver (26 females, 22 males and two subjects self-identified as &#x201C;other&#x201D;) with a mean age of 21.2 years (<italic>SD</italic> = 3.6) volunteered to take part in this study in exchange for course credits. Participants were recruited from a subject pool developed at the University of Colorado Denver among students taking Psychology courses requiring them to participate in an Institutional Review Board-approved psychology experiment. The sampling method privileged was a non-probabilistic convenience method where all students interested could subscribe to take part in the experiment. Exclusion criteria comprised being more than 35 years of age. All reported having normal or corrected-to-normal hearing and vision.</p>
</sec>
<sec id="S2.SS2">
<title>Apparatus and Material</title>
<p>The experiment was conducted in a dimly lit room. A PC computer running an E-Prime 2.0 (Psychology Software Tools) program was used for presenting the instructions, controlling the presentation of the images and the questionnaires, and recording the responses. The images originated from <xref ref-type="bibr" rid="B108">Szolosi et al.&#x2019;s (2014)</xref> stimulus set, each one being 640 pixels wide and 480 pixels high (see <xref ref-type="fig" rid="F1">Figure 1</xref>). This image set contained 40 high- and 40 low-mystery nature settings (classification from normative data obtained<sup><xref ref-type="fn" rid="footnote1">1</xref></sup> by <xref ref-type="bibr" rid="B108">Szolosi et al., 2014</xref>) which previously led to high vs. low mystery differences in performance on a recognition task (<xref ref-type="bibr" rid="B108">Szolosi et al., 2014</xref>). Variations in the pupil size and eye coordinates were measured binocularly by using a Tobii TX300 eye tracker (Tobii Technologies) with a recording rate of 120 Hz. Each participant sat approximately 60 cm from the monitor on which the eye tracker was mounted. Although no chinrest was used, subjects were asked to keep their head movements to a minimum.</p>
<fig id="F1" position="float">
<label>FIGURE 1</label>
<caption><p>Example of the high-mystery (Left) and low-mystery (Right) images used in the current study (from <xref ref-type="bibr" rid="B108">Szolosi et al., 2014</xref>).</p></caption>
<graphic mimetype="image" mime-subtype="tiff" xlink:href="fpsyg-12-759616-g001.tif"/>
</fig>
<p>Participants performed a norming task in which they were asked to observe and rate nature images on their fascination and aesthetic properties. In each trial, following the presentation of a 48-pixel wide by 48-pixel high fixation cross for 2,000 ms, a nature image from either the low- or high-mystery category was presented on a 23-inch Dell monitor in a 1920 &#x00D7; 1080 resolution on a light gray background for 5,000 ms. Subsequently, two questionnaires were presented on the monitor in a random order. The <italic>Shortened Perceived Restorativeness Scale</italic> (<xref ref-type="bibr" rid="B34">Hartig et al., 1996</xref>) consisted of three, simultaneously displayed, questions originating from the fascination subscale of a longer scale designed by <xref ref-type="bibr" rid="B58">Korpela and Hartig (1996)</xref>. This measure contained the following statements: &#x201C;<italic>This place has qualities that fascinate me</italic>,&#x201D; &#x201C;<italic>I would like to spend more time looking at the surroundings here</italic>,&#x201D; and &#x201C;<italic>My attention is drawn to many interesting things here</italic>.&#x201D; The fascination subscale of the <italic>Shortened Perceived Restorativeness Scale</italic> is focused on perceived restoration and is characterized by high internal consistency with Cronbach&#x2019;s alpha values &#x003E;0.80 (<xref ref-type="bibr" rid="B34">Hartig et al., 1996</xref>). Typically, higher scores on the PRS are assigned to soft fascinating/restorative nature while lower scores are generally associated with low restorative nature as well as environments typically referred to as hard fascinating (i.e., settings that drastically capture and consume attention resources such as urban scenery; see <xref ref-type="bibr" rid="B57">Korpela, 2013</xref>; <xref ref-type="bibr" rid="B108">Szolosi et al., 2014</xref>). For each image, participants indicated to what extent the statement described the experience they were having while looking at the image on a scale from 0 (Not at all) to 6 (Very much so). The <italic>Likeability Scale</italic> assessed the visual preference of an image. Participants were instructed to rate on a Likert scale from 1 (A strong dislike) to 7 (A strong preference) the extent to which they liked the image they had just seen. This measure was inspired by <xref ref-type="bibr" rid="B56">Kardan et al.&#x2019;s (2015)</xref> work in which aesthetic preference, assessed by this single-item scale, was predicted by low-level visual features via a discriminant classification analysis.</p>
</sec>
<sec id="S2.SS3">
<title>Procedure</title>
<p>After providing informed consent, the purpose of the experiment was briefly explained. The eye tracker was then calibrated. The experiment consisted of a norming task in which subjects were required to rate 80 images (40 low-mystery and 40 high-mystery) on their level of perceived fascination and likeability. Two blocks of trials, containing 20 images of each category, were performed in a counterbalanced order across subjects, interleaved with a self-paced break. Images were randomly presented within each block and both rating questionnaires were completed at each participant&#x2019;s pace in a random order in each trial. Following the end of a trial, the next trial began automatically and immediately. Once the study was over, participants completed a brief sociodemographic survey, were debriefed, thanked, and credited for their participation. Subjects wore noise-reduction headphones to avoid any distraction from surrounding sounds.</p>
</sec>
<sec id="S2.SS4">
<title>Analyses</title>
<sec id="S2.SS4.SSS1">
<title>Subjective Ratings</title>
<p>Global scores were calculated for each of the two measures and collapsed across all subjects to obtain one mean score per image. A <italic>Perceived Fascination Mean Score</italic> was calculated by averaging all three answers on the modified fascination subscale for each image for each participant, thus creating a mean score on a 7-point scale. An average of these mean scores was calculated across all subjects. The <italic>Likeability Mean Score</italic> also consisted of a mean score on a scale from 1 to 7 collapsed across all participants for each image. Scores were also averaged for each category (high vs. low mystery) to obtain one mean score for each type of trial per participant.</p>
</sec>
<sec id="S2.SS4.SSS2">
<title>Eye-Tracking Preprocessing and Measures</title>
<p>Four participants were excluded as their data-recording rate was too low to compute valid eye measures (&#x003E;50% missing data). Raw pupil data of the remaining participants were epoched from 200 ms before the presentation of an image to the end of the image presentation, 5,000 ms after its onset. An average of the pupil size for both eyes was computed to obtain only one measure. Data that were not rated as perfectly valid by the eye tracker software or that were recorded when a participant&#x2019;s gaze was too distant from the image were withdrawn. Removed data and missing data points originating from malfunctions or eye blinks were linearly interpolated using MATLAB (MathWorks). Pupillary measures were then low-passed filtered using a cut-off frequency of 10 Hz, with a maximum attenuation in passband of 1 dB and a minimum in stopband of 40 dB (see <xref ref-type="bibr" rid="B69">Marois et al., 2018</xref>), resulting in an average of 6.3% of interpolated data among all participants.</p>
<p>Several eye-tracking measures were computed to assess the level of attentional engagement toward the to-be-rated images of nature. Absolute tonic pupil size (in mm) was first averaged for each subject within each mystery category, from 500 to 5,000 ms after the image onset. This 500--5,000-ms post-stimulus epoch avoided assessing attention engagement through pupillary measures that would be affected by the light reflex triggered by the presentation of the nature images<sup><xref ref-type="fn" rid="footnote2">2</xref></sup> (see, e.g., <xref ref-type="bibr" rid="B60">Labont&#x00E9; et al., 2019</xref>), while also potentially disentangling from transient mechanisms of involuntary attention capture typically occurring within the first 500 to 1,000 ms (<xref ref-type="bibr" rid="B72">Math&#x00F4;t, 2018</xref>). Coordinates of the gaze on each image were also analyzed to assess the average number of fixations performed on each image (fixation/image) and the average duration (in ms) of those fixations for each subject on each type of trial. To be considered as a fixation, a participant&#x2019;s gaze was required to be located in a given area of 0.5&#x00B0; for at least 60 ms. This fixation algorithm was based on the Dispersion-Threshold Identification fixation classification algorithm (see, e.g., <xref ref-type="bibr" rid="B97">Salvucci and Goldberg, 2000</xref>). Using <xref ref-type="bibr" rid="B89">Pedrotti et al.&#x2019;s (2011)</xref> algorithm, spontaneous blink periods were identified as periods of eyelid closures, lasting between 50 and 500 ms, where no pupillary data could be measured. Once these blink periods were identified, a 60-ms period was added to each blink to consider the eyelid descent. Then, their frequency (in blink/image) and average duration (in ms) was measured in every trial and averaged for each subject within each mystery category.</p>
</sec>
<sec id="S2.SS4.SSS3">
<title>Statistical Analyses</title>
<p>Ratings of fascination and likeability for both mystery sets were first compared from a within-subject perspective using paired-samples <italic>t</italic>-tests, but also compared at the image level between both mystery groups with two-sample <italic>t</italic>-tests. Measures of attentional engagement&#x2014;that is tonic pupil size, eye blinks, and fixations&#x2014;were analyzed with a within-subject design using paired-samples <italic>t</italic>-tests. To consider the potential influence of luminance, between-image analyses were also conducted for the pupillary measures. The critical &#x03B1; was fixed at 0.05 for each test. For each dependent variable, data points of &#x00B1;3 <italic>Z</italic>-scores from the mean were identified as univariate outliers and were removed.</p>
</sec>
</sec>
</sec>
<sec id="S3" sec-type="results">
<title>Results</title>
<sec id="S3.SS1">
<title>Subjective Ratings</title>
<p>The Perceived Fascination Mean Score and the Likeability Mean Score were both compared across both types of mystery set to assess the restoration potential of the nature images. The 40 low-mystery images were rated an average of 2.36 points out of 6 (<italic>SD</italic> = 1.31) on the fascination scale, whereas the 40 high-mystery images reached a mean level of 2.82 points out of 6 (<italic>SD</italic> = 1.28). Although low at first glance, these fascination levels were similar to the mean levels on each image observed by <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref> and very strongly correlated (<italic>r</italic> = +0.90, <italic>p</italic> &#x003C; 0.001). Moreover, the mean likeability level of low-mystery images was 3.60 out of 7 (<italic>SD</italic> = 1.15) and that of high-mystery images was 4.00 out of 7 (<italic>SD</italic> = 1.11)<sup><xref ref-type="fn" rid="footnote3">3</xref></sup>. Paired-sampled <italic>t</italic>-tests showed that, as predicted, high-mystery images were considered significantly more fascinating, <italic>t</italic>(45) = 8.04, <italic>p</italic> &#x003C; 0.001, Cohen&#x2019;s <italic>d</italic> = 1.55, and were significantly more liked, <italic>t</italic>(45) = 10.35, <italic>p</italic> &#x003C; 0.001, Cohen&#x2019;s <italic>d</italic> = 1.17<sup><xref ref-type="fn" rid="footnote4">4</xref></sup>. Results were also averaged within each block for every subject to test the reliability of the two measures. With Cronbach&#x2019;s alpha of 0.97 and 0.95, the fascination and likeability scales, respectively, demonstrated very strong reliability. Taken together, these results replicated <xref ref-type="bibr" rid="B108">Szolosi et al.&#x2019;s (2014)</xref> findings showing that high mystery was related to higher ratings of perceived fascination and aesthetic preference while being consistent with the view that mystery is a predictor of preference (cf. <xref ref-type="bibr" rid="B38">Herzog and Kropscott, 2004</xref>; <xref ref-type="bibr" rid="B103">Stamps, 2004</xref>; <xref ref-type="bibr" rid="B37">Herzog and Bryce, 2007</xref>).</p>
</sec>
<sec id="S3.SS2">
<title>Eye-Tracking Measures of Attentional Engagement</title>
<sec id="S3.SS2.SSS1">
<title>Pupillometry</title>
<p><xref ref-type="fig" rid="F2">Figure 2</xref> displays the variation in the pupil size averaged for both low- and high-mystery trials for all participants. The mean tonic pupil diameter observed in the 500&#x2013;5,000-ms time-window was 3.11 mm (<italic>SD</italic> = 0.44) in low-mystery trials and 3.14 mm (<italic>SD</italic> = 0.44) in high-mystery trials. The paired-samples <italic>t</italic>-test showed that the averaged tonic pupil diameter was larger when subjects looked at high-mystery images than when they looked at low-mystery images, <italic>t</italic>(45) = 6.71, <italic>p</italic> &#x003C; 0.001, Cohen&#x2019;s <italic>d</italic> = 0.76.</p>
<fig id="F2" position="float">
<label>FIGURE 2</label>
<caption><p>Variation of the mean pupil diameter (in mm) as a function of time (in ms) for both low-mystery (solid gray line) and high-mystery trials (solid black line) averaged across all participants. Time 0 represents the onset of the image that is displayed for 5,000 ms. The gray area represents the time-window during which the mean tonic pupil diameter was computed.</p></caption>
<graphic mimetype="image" mime-subtype="tiff" xlink:href="fpsyg-12-759616-g002.tif"/>
</fig>
<p>It could, however, be argued that potential visual differences in the images used for both low- and high-mystery sets, especially differences in brightness, may explain why the tonic pupil size differed between these two categories. Higher luminance levels are indeed known to produce constriction in the pupil size, as opposed to darker images that are known to cause pupil enlargement (see, e.g., <xref ref-type="bibr" rid="B118">Winn et al., 1994</xref>; <xref ref-type="bibr" rid="B73">Math&#x00F4;t et al., 2014</xref>; <xref ref-type="bibr" rid="B91">Peysakhovich et al., 2015</xref>). To test this hypothesis, we analyzed the brightness level of each image following <xref ref-type="bibr" rid="B7">Berman et al.&#x2019;s (2014)</xref> method. As expected and consistent with previous literature on mystery (cf. <xref ref-type="bibr" rid="B30">Gimblett et al., 1985</xref>; <xref ref-type="bibr" rid="B39">Herzog and Miller, 1998</xref>; <xref ref-type="bibr" rid="B98">Schertz et al., 2018</xref>), low-mystery images (<italic>M</italic> = 0.57, <italic>SD</italic> = 0.03) were significantly brighter than high-mystery images (<italic>M</italic> = 0.53, <italic>SD</italic> = 0.04), <italic>t</italic>(78) = &#x2212;3.96, <italic>p</italic> &#x003C; 0.001, Cohen&#x2019;s <italic>d</italic> = &#x2212;1.13. Despite the tonic pupil diameter being computed later in the signal, when the light reflex is hypothesized to be completed (<xref ref-type="bibr" rid="B64">Lowenstein and Loewenfeld, 1952a</xref>,<xref ref-type="bibr" rid="B65">b</xref>; <xref ref-type="bibr" rid="B6">Beatty and Lucero-Wagoner, 2000</xref>; <xref ref-type="bibr" rid="B74">Math&#x00F4;t et al., 2018</xref>; <xref ref-type="bibr" rid="B60">Labont&#x00E9; et al., 2019</xref>), one could contend that the increased pupil size observed in high-mystery trials still originated from the luminance features of the images, especially because high-mystery images are darker, which elicits pupil enlargement.</p>
<p>To address this possibility, we computed image-elicited phasic pupillary responses in each trial and averaged them across all participants to obtain one mean measure of phasic pupil response per image. These phasic pupillary responses were measured by quantifying the mean amplitude of the pupil size over the 500&#x2013;5,000-ms time-window from which a 200-ms-prestimulus baseline value (i.e., before the onset of the image, during fixation) was subtracted. This difference in pupil amplitude was then divided by the baseline value to obtain a percentage of variation in pupil size (%; see, e.g., <xref ref-type="bibr" rid="B69">Marois et al., 2018</xref>). An image-oriented independent <italic>t</italic>-test showed that the pupillary response triggered by high-mystery images (<italic>M</italic> = 2.00%, <italic>SD</italic> = 1.50) was significantly larger than that elicited by the low-mystery images (<italic>M</italic> = 0.93%, <italic>SD</italic> = 1.06), <italic>t</italic>(78) = 3.70, <italic>p</italic> &#x003C; 0.001, Cohen&#x2019;s <italic>d</italic> = 0.82 (see <xref ref-type="fig" rid="F3">Figure 3A</xref>). A Pearson correlation analysis then showed that these pupillary responses triggered by the presentation of the nature images were significantly correlated with measures of brightness, <italic>r</italic>(78) = &#x2212;0.44, <italic>p</italic> &#x003C; 0.001 (see <xref ref-type="fig" rid="F3">Figure 3B</xref>), supporting the relationship between brightness and change in pupil size.</p>
<fig id="F3" position="float">
<label>FIGURE 3</label>
<caption><p><bold>(A)</bold> Averaged phasic pupillary responses (in %) elicited by the nature images presented in low- and high-mystery trials. Error bars represent the standard error of the mean. <bold>(B)</bold> Scatter plot illustrating the relationship between the luminance level and the phasic pupillary response (in %) as a function of the type of trial.</p></caption>
<graphic mimetype="image" mime-subtype="tiff" xlink:href="fpsyg-12-759616-g003.tif"/>
</fig>
<p>To test whether the impact of mystery category was still significant without the influence of luminance, we then performed an Analysis of Covariance (ANCOVA) on the phasic pupillary responses with the mystery category as the main factor and the luminance level as the covariate. This analysis revealed that although the impact of luminance on the phasic pupillary response was significant, <italic>F</italic>(1,77) = 9.99, <italic>p</italic> = 0.002, <inline-formula><mml:math id="INEQ2"><mml:msubsup><mml:mi mathvariant="normal">&#x03B7;</mml:mi><mml:mrow><mml:mtext>p</mml:mtext></mml:mrow><mml:mn>2</mml:mn></mml:msubsup></mml:math></inline-formula> = 0.12, there was still a significant main effect of mystery category when statistically controlling for luminance, <italic>F</italic>(1,77) = 5.15, <italic>p</italic> = 0.026, <inline-formula><mml:math id="INEQ3"><mml:msubsup><mml:mi mathvariant="normal">&#x03B7;</mml:mi><mml:mrow><mml:mtext>p</mml:mtext></mml:mrow><mml:mn>2</mml:mn></mml:msubsup></mml:math></inline-formula> = 0.06, with a semi-partial correlation of s<italic>r</italic> = +0.46 (<italic>p</italic> &#x003C; 0.001). Hence, this analysis supported the idea that high-mystery images with greater attention restoration potential elicited larger pupillary responses that were not strictly due to their reduced brightness relative to low-mystery images.</p>
</sec>
<sec id="S3.SS2.SSS2">
<title>Fixations and Blinks Analyses</title>
<p>Measures of fixations and eye blinks were collected using the gaze coordinates and the missing data points in pupil size. They were used as alternative measures of attention engagement because of their robustness to visual characteristics of the images such as luminance and color (<xref ref-type="bibr" rid="B36">Helland et al., 2007</xref>; <xref ref-type="bibr" rid="B1">A&#x00E7;ik et al., 2009</xref>). One subject was excluded from the fixation analysis and two others from the blink analysis as their data were rated as outliers. <xref ref-type="table" rid="T1">Table 1</xref> shows the means and standard deviations for the average number of fixations per image, the average number of blinks per image, the average duration of the fixations, and the average duration of the blinks for each type of image (either low- or high-mystery).</p>
<table-wrap position="float" id="T1">
<label>TABLE 1</label>
<caption><p>Mean, standard deviation (in parentheses) and results of the paired-sample <italic>t</italic>-tests for the four measures of blink and fixation calculated for each type of mystery category.</p></caption>
<table cellspacing="5" cellpadding="5" frame="hsides" rules="groups">
<thead>
<tr>
<td valign="top" align="left">Measure</td>
<td valign="top" align="center" colspan="2">Mystery category<hr/></td>
<td valign="top" align="center"><italic>t</italic></td>
<td valign="top" align="center">Cohen&#x2019;s <italic>d</italic></td>
</tr>
<tr>
<td valign="top" align="justify"/><td valign="top" align="left">Low</td>
<td valign="top" align="left">High</td>
<td/>
<td/>
</tr>
</thead>
<tbody>
<tr>
<td valign="top" align="left">Average number of fixations (fixation/image)</td>
<td valign="top" align="left">15.45<break/>(4.47)</td>
<td valign="top" align="left">15.93<break/>(4.36)</td>
<td valign="top" align="center">3.79<xref ref-type="table-fn" rid="t1fns1">&#x002A;&#x002A;&#x002A;</xref></td>
<td valign="top" align="center">0.57</td>
</tr>
<tr>
<td valign="top" align="left">Average number of blinks (blink/image)</td>
<td valign="top" align="left">1.52<break/>(0.94)</td>
<td valign="top" align="left">1.40<break/>(0.85)</td>
<td valign="top" align="center">&#x2212;2.82<xref ref-type="table-fn" rid="t1fns1">&#x002A;&#x002A;</xref></td>
<td valign="top" align="center">&#x2212;0.43</td>
</tr>
<tr>
<td valign="top" align="left">Average fixation duration (ms)</td>
<td valign="top" align="left">222.00<break/>(83.88)</td>
<td valign="top" align="left">216.80<break/>(76.64)</td>
<td valign="top" align="center">&#x2212;2.17<xref ref-type="table-fn" rid="t1fns1">&#x002A;</xref></td>
<td valign="top" align="center">&#x2212;0.33</td>
</tr>
<tr>
<td valign="top" align="left">Average blink duration (ms)</td>
<td valign="top" align="left">215.01<break/>(42.40)</td>
<td valign="top" align="left">212.01<break/>(40.64)</td>
<td valign="top" align="center">&#x2212;1.23</td>
<td valign="top" align="center">&#x2212;0.18</td>
</tr>
</tbody>
</table>
<table-wrap-foot>
<fn id="t1fns1"><p><italic>&#x002A;p &#x003C; 0.05, &#x002A;&#x002A;p &#x003C; 0.01, &#x002A;&#x002A;&#x002A;p &#x003C; 0.001.</italic></p></fn>
</table-wrap-foot>
</table-wrap>
<p>Paired-sample <italic>t</italic>-tests showed that the average number of fixations per image was significantly greater for high-mystery images than for low-mystery images, <italic>t</italic>(44) = 3.79, <italic>p</italic> &#x003C; 0.001, Cohen&#x2019;s <italic>d</italic> = 0.57. The opposite pattern was observed for the average number of blinks per image as significantly more blinks were performed in low-mystery trials in comparison with high-mystery trials, <italic>t</italic>(43) = &#x2212;2.82, <italic>p</italic> = 0.007, Cohen&#x2019;s <italic>d</italic> = &#x2212;0.43. The average fixation duration was also significantly longer for low-mystery images than for high-mystery images, <italic>t</italic>(44) = &#x2212;2.17, <italic>p</italic> = 0.036, Cohen&#x2019;s <italic>d</italic> = &#x2212;0.33. Finally, no difference was observed in the average blink duration between low- and high-mystery images, <italic>t</italic>(43) = &#x2212;1.23, <italic>p</italic> = 0.226, Cohen&#x2019;s <italic>d</italic> = &#x2212;0.18. These analyses showed that high-mystery images elicited more fixations, less blinks, and fixations of shorter duration compared with low-mystery images. This is consistent with the larger increase in pupil size observed for high-mystery images and with the hypothesis that nature images with allegedly greater restorative potential (i.e., nature endowed with more mystery, eliciting higher engagement; <xref ref-type="bibr" rid="B55">Kaplan and Kaplan, 1982</xref>, <xref ref-type="bibr" rid="B51">1989</xref>; <xref ref-type="bibr" rid="B108">Szolosi et al., 2014</xref>) promote more attention volition.</p>
</sec>
</sec>
</sec>
<sec id="S4" sec-type="discussion">
<title>Discussion</title>
<p>The current study provides one of the first direct explorations of the deployment of attention while viewing nature images of different mystery levels, i.e., with allegedly different potential for restoration (cf. <xref ref-type="bibr" rid="B108">Szolosi et al., 2014</xref>). To reach this goal, we collected eye-tracking measures (i.e., pupil size, fixations, and blinks) to investigate whether participants&#x2019; attention would be more engaged and active while viewing high-mystery images compared with low-mystery images using the same set of pictures as <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref>. Participants were also asked to provide ratings of likeability and fascination on a subscale of the <italic>Shortened Perceived Restorativeness Scale</italic>. Results first replicated the higher ratings of fascination observed by <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref> for high-mystery images, as well as extended these findings to demonstrate high-mystery images were also more liked. More importantly, eye-tracking measures showed that attention was more active and engaged when participants were looking at images with more mysterious features, providing evidence toward a greater deployment of voluntary attention for these settings as participants were asked to actively look at the images for 5 s before rating them on their fascination and aesthetic properties. Indeed, for high-mystery trials, pupil size&#x2014;even when controlling statistically for luminance variability&#x2014;was larger, fixations were more frequent and of shorter duration, and eye blinks were less frequent. Given the relationship previously demonstrated between attention involvement, pupil size, fixations, and blinks (<xref ref-type="bibr" rid="B50">Kahneman, 1973</xref>; <xref ref-type="bibr" rid="B5">Beatty, 1982</xref>; <xref ref-type="bibr" rid="B19">Culham et al., 1998</xref>; <xref ref-type="bibr" rid="B115">Van Orden et al., 2001</xref>; <xref ref-type="bibr" rid="B45">Irwin and Thomas, 2010</xref>; <xref ref-type="bibr" rid="B15">Chen et al., 2011</xref>; <xref ref-type="bibr" rid="B101">Shultz et al., 2011</xref>; <xref ref-type="bibr" rid="B113">Unsworth and Robison, 2017</xref>; <xref ref-type="bibr" rid="B70">Marois and Vachon, 2018</xref>), these results support the view that raising the mystery level in nature increases one&#x2019;s attentional engagement which in turn potentially augments the restorative potential of nature (cf. <xref ref-type="bibr" rid="B23">Duvall, 2011</xref>; <xref ref-type="bibr" rid="B62">Lin et al., 2014</xref>; <xref ref-type="bibr" rid="B87">Pasanen et al., 2018</xref>; <xref ref-type="bibr" rid="B14">Browning et al., 2020</xref>).</p>
<p>The fact the <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref> observed better memory for the more mysterious nature images is consistent with our demonstration of higher engagement for those same images. In fact, literature has shown that improved memory performance at recall was related to higher engagement and more optimal deployment of attention at encoding as supported by larger pupil sizes, increased visual exploration and less eye blinks (<xref ref-type="bibr" rid="B101">Shultz et al., 2011</xref>; <xref ref-type="bibr" rid="B44">Irwin, 2014</xref>; <xref ref-type="bibr" rid="B59">Kucewicz et al., 2018</xref>; <xref ref-type="bibr" rid="B20">Damiano and Walther, 2019</xref>; <xref ref-type="bibr" rid="B77">Meghanathan et al., 2019</xref>; <xref ref-type="bibr" rid="B78">Miller et al., 2019</xref>). These results also provide evidence in favor of the potentially active role of voluntary attention during restoration reported by <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref>. In their study, longer viewing durations incurred higher demands on voluntary attention processes that are controlled and sustained as opposed to involuntary attention mechanisms known to be transient, rapid and automatic. This increased exposure duration led to superior benefits for memory performance (<xref ref-type="bibr" rid="B92">Posner et al., 1980</xref>, <xref ref-type="bibr" rid="B93">1982</xref>; <xref ref-type="bibr" rid="B119">Wright and Richard, 2000</xref>). Here, we show that the same set of high-mystery images indeed leads to a higher attention engagement that can potentially be ascribed to voluntary mechanisms.</p>
<p>While no actual measure of restoration was collected, our findings are also consistent with studies in which a superior restoration experience was related to higher engagement toward nature (e.g., <xref ref-type="bibr" rid="B23">Duvall, 2011</xref>; <xref ref-type="bibr" rid="B62">Lin et al., 2014</xref>; <xref ref-type="bibr" rid="B108">Szolosi et al., 2014</xref>; <xref ref-type="bibr" rid="B87">Pasanen et al., 2018</xref>; <xref ref-type="bibr" rid="B14">Browning et al., 2020</xref>). In these studies, the positive impact of nature exposure on cognitive performance was amplified when participants performed tasks that promoted their engagement toward the nature setting (e.g., actual vs. virtual exposure, enhanced awareness toward the nature setting or stimuli, or longer viewing time). The fact that these studies showed optimized restoration with higher engagement contradicts ART&#x2019;s view that voluntary attention is resting when one is exposed to nature, and thus puts our results into context. As shown by <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref> and supported by other literature showing a positive relationship between fascination and mystery (cf. <xref ref-type="bibr" rid="B55">Kaplan and Kaplan, 1982</xref>, <xref ref-type="bibr" rid="B51">1989</xref>; <xref ref-type="bibr" rid="B38">Herzog and Kropscott, 2004</xref>; <xref ref-type="bibr" rid="B103">Stamps, 2004</xref>), higher levels of mystery can engage one&#x2019;s attention toward nature scenes and in turn improve the restorative experience. Because we observed higher measures of attentional engagement, this suggests that settings characterized by greater restoration potential tend to engage one&#x2019;s voluntary attention.</p>
<p>The observation of higher voluntary attentional involvement for the settings containing more restoration potential (i.e., higher levels of mystery and higher fascination ratings) seem at first glance to contradict most of the eye-tracking studies focused on the deployment of visual attention during interaction with nature (<xref ref-type="bibr" rid="B12">Berto et al., 2008</xref>; <xref ref-type="bibr" rid="B114">Valtchanov and Ellard, 2015</xref>; <xref ref-type="bibr" rid="B29">Fran&#x011B;k et al., 2018</xref>; <xref ref-type="bibr" rid="B71">Mart&#x00ED;nez-Soto et al., 2019</xref>). In these studies, participants were typically exposed to nature and urban settings either in real or virtual form (i.e., using images), and oculometric measures were collected to infer their attention deployment toward the settings. Supported by these metrics, the authors observed that urban environments were generally related to higher involvement of voluntary attention (e.g., more fixations and larger pupil dilation) when compared to nature environments. Consistent with ART, they interpreted this pattern of results as evidence that voluntary attention is resting during its restoration because nature&#x2014;which led to inferior attention involvement&#x2014;did contribute to attention restoration, as opposed with urban environments.</p>
<p>Yet, to fully explore the mechanisms of attention restoration, one must also compare nature environments of different restoration potential. Our investigation thus focused on comparing two sets of nature images of different restoration potential and contradicted these studies. An explanation for such an opposite view can originate from the type of fascination that is triggered by nature and urban images. According to <xref ref-type="bibr" rid="B54">Kaplan and Berman (2010)</xref>, urban environments tend to trigger hard rather than soft fascination, which contains bottom-up stimulation that automatically captures attention and requires directed attention to resist. This explains why urban environments may be less restorative than nature settings (<xref ref-type="bibr" rid="B8">Berman et al., 2008</xref>). Nature settings can trigger soft fascination and the attraction they typically elicit does not incur resistance nor inhibition that might require executive-based attention (<xref ref-type="bibr" rid="B52">Kaplan, 1995</xref>, <xref ref-type="bibr" rid="B53">2001</xref>; <xref ref-type="bibr" rid="B88">Pearson and Craig, 2014</xref>). Exposure to (softly fascinating) nature setting thus entails lower engagement than urban environments because no effort is required to inhibit the &#x201C;competing&#x201D; attraction driven by nature. Yet, one could also be exposed to nature settings that are considered less fascinating, with stimuli that might be less preferred and cause reduced attention deployment. Such would be the case for low mystery nature settings, as opposed to high mystery nature settings stronger in the fascination they elicit. Considering both our results and those raised by the other eye-tracking studies, a pattern can emerge.</p>
<p>Here, we propose that the relationship between attentional engagement of the environment and restoration potential may be characterized by a quadratic trend, in the form of an inverted-U shaped relationship. At the lower level of the engagement continuum, suboptimal attention restoration may be possible with nature settings that are less captivating (e.g., low mystery settings) where one would be less involved toward the setting, in a state that might approach inattentiveness. At moderate levels of engagement, optimal attention restoration might be related to soft fascination with nature settings sufficiently captivating (e.g., high mystery images) to attract one&#x2019;s attention without consuming it and drawing from executive attention. On the highest end of the continuum, urban settings characterized by hard fascinating stimuli may engage one&#x2019;s attention even more than high-mystery nature images while also consuming it, thereby reducing their potential for restoration. Such a situation could be described as a state of distractibility, where one&#x2019;s mental resources would be too involved toward the urban stimuli to allow voluntary attention to restore. <xref ref-type="fig" rid="F4">Figure 4</xref> depicts such a curvilinear relationship between attention engagement and restoration potential according to the type of exposure. Although this hypothesis admittedly goes slightly beyond our results, it does reconcile the observation of higher engagement toward (non-restorative) urban settings reported by previous eye-tracking studies with our observation of higher engagement toward (more restorative) high-mystery nature images, compared with (less restorative) low-mystery nature images. However, further investigation is needed to better understand the differences in attention involvement toward these three types of settings and to fully explore the relationship between engagement and restoration. Different types of urban scenes should also be compared, manipulating the level of fascination and engagement they elicit to investigate this potential moderating effect on attention restoration as well (see, e.g., the urban control environments of <xref ref-type="bibr" rid="B42">Hopman et al., 2020</xref>; <xref ref-type="bibr" rid="B99">Scott et al., 2020</xref>, which somewhat counterintuitively elicited <italic>lower</italic> levels of engagement than nature environments such as a sandy riverbank in the desert, perhaps because participants in the urban condition were sitting outside on a familiar college campus looking at a concrete wall).</p>
<fig id="F4" position="float">
<label>FIGURE 4</label>
<caption><p>Hypothesized relationship between engagement and attention restoration.</p></caption>
<graphic mimetype="image" mime-subtype="tiff" xlink:href="fpsyg-12-759616-g004.tif"/>
</fig>
<p>Per our results, voluntary attention would be engaged in the attention restoration process. Yet, an alternative hypothesis remains. Although the superior cognitive engagement observed for high-mystery images for the 500&#x2013;5,000 ms time-window could be specifically ascribed to mechanisms of voluntary attention typically observed on longer and sustained periods (e.g., <xref ref-type="bibr" rid="B119">Wright and Richard, 2000</xref>), one could still argue that it rather represents mechanisms of involuntary attention in a sense similar to what is proposed by ART. Recall that, per ART&#x2019;s viewpoint, involuntary attention would be captured by the fascinating stimuli of nature, then reducing further voluntary attention demands on the system, allowing at the same time restoration of executive attention. Although the effects observed occurred on a longer period and hardly represent involuntary mechanisms (which are normally automatic and fast-acting; see <xref ref-type="bibr" rid="B92">Posner et al., 1980</xref>, <xref ref-type="bibr" rid="B93">1982</xref>), disentangling the voluntary and involuntary mechanisms of attention deployed while participants looked at the nature images may be difficult. In light of our results, it seems, however, more likely that voluntary attention processes were engaged, although this does not exclude any previous/automatic involvement of involuntary attention, especially given the previous demonstration of superior involuntary attention engagement when interacting with restorative nature scenes (cf. <xref ref-type="bibr" rid="B11">Berto et al., 2010</xref>; <xref ref-type="bibr" rid="B86">Olszewska-Guizzo et al., 2018</xref>; <xref ref-type="bibr" rid="B42">Hopman et al., 2020</xref>).</p>
<p>However, one may wonder how increased attention engagement toward the nature setting might contribute to the restoration of cognitive (and allegedly voluntary attention) resources (<xref ref-type="bibr" rid="B52">Kaplan, 1995</xref>; <xref ref-type="bibr" rid="B8">Berman et al., 2008</xref>; <xref ref-type="bibr" rid="B54">Kaplan and Berman, 2010</xref>). As suggested by <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref>, those attentional benefits might originate from a balance between involuntary and voluntary attentional networks. Specifically, more mysterious nature and their physical properties likely seem to evoke a sense of soft fascination, and this type of fascination can engage a person&#x2019;s attention fairly automatically. In turn, instead of using cognitive resources to strictly inhibit (automatically and involuntarily) responding to stimuli that may demand high involvement of executive attention (i.e., for urban scenery, similar to the word dimension in a Stroop color naming task; <xref ref-type="bibr" rid="B107">Stroop, 1935</xref>, where individuals must overcome oppositional logic to correctly name ink colors rather than to incorrectly read words), we propose the mystery and soft fascination inherent in nature may facilitate the engagement of a person&#x2019;s voluntary attention, hence reducing cognitive demands and providing an explanation to the cognitive benefits typically ascribed to restoration by nature. This would be in line with the bulk of the visual-spatial literature showing that exogenous (involuntary) cueing can in turn facilitate sustained (voluntary) processing of visual information (e.g., <xref ref-type="bibr" rid="B28">Fernandez-Duque and Posner, 1997</xref>; <xref ref-type="bibr" rid="B66">MacLean et al., 2009</xref>; <xref ref-type="bibr" rid="B22">Dugu&#x00E9; et al., 2020</xref>; <xref ref-type="bibr" rid="B84">Nguyen et al., 2020</xref>). Critically, this view would also reconcile both evidence that involuntary attention is automatically and effortlessly captured (e.g., <xref ref-type="bibr" rid="B11">Berto et al., 2010</xref>; <xref ref-type="bibr" rid="B86">Olszewska-Guizzo et al., 2018</xref>; <xref ref-type="bibr" rid="B42">Hopman et al., 2020</xref>) with that related to the benefits of superior attention engagement toward the nature setting (<xref ref-type="bibr" rid="B23">Duvall, 2011</xref>; <xref ref-type="bibr" rid="B62">Lin et al., 2014</xref>; <xref ref-type="bibr" rid="B108">Szolosi et al., 2014</xref>; <xref ref-type="bibr" rid="B87">Pasanen et al., 2018</xref>; <xref ref-type="bibr" rid="B106">Stevenson et al., 2018</xref>). Even so, future work should specifically investigate this switch in the form of attention that is engaged (from automatic involuntary to controlled voluntary) to better understand how both forms of attention may be involved during exposure to restorative nature.</p>
<sec id="S4.SS1">
<title>Study Limitations and Avenues for Future Research</title>
<p>This experiment possesses some limits that may be addressed in future research. First and foremost, the important differences in luminance between high and low mystery images represent a limitation in the differences observed in pupil size between both types of images. Mystery is characterized by curvier pathways, partial concealment and shadows (<xref ref-type="bibr" rid="B30">Gimblett et al., 1985</xref>; <xref ref-type="bibr" rid="B39">Herzog and Miller, 1998</xref>; <xref ref-type="bibr" rid="B98">Schertz et al., 2018</xref>). Hence, this type of image is intrinsically characterized by such visual features, thereby limiting the possibility to experimentally control this confounding variable. Controlling statistically for the variance explained by luminance still led to a significant effect of type of image, but this effect was also low (<inline-formula><mml:math id="INEQ4"><mml:msubsup><mml:mi mathvariant="normal">&#x03B7;</mml:mi><mml:mrow><mml:mtext>p</mml:mtext></mml:mrow><mml:mn>2</mml:mn></mml:msubsup></mml:math></inline-formula> = 0.06). One solution to this was to rely on other eye-tracking measures known to be impervious to luminance variations (<xref ref-type="bibr" rid="B36">Helland et al., 2007</xref>; <xref ref-type="bibr" rid="B1">A&#x00E7;ik et al., 2009</xref>). Again, these measures led to significant differences between high and low mystery images with effect sizes varying from low to moderate (Cohen&#x2019;s <italic>d</italic>s = &#x2212;0.33, &#x2212;0.43, and 0.57). One explanation for these relatively low effect sizes might be the important similarities between images of the low and high mystery nature sets (see the <xref ref-type="supplementary-material" rid="SM1">Supplementary Material</xref> of <xref ref-type="bibr" rid="B108">Szolosi et al., 2014</xref>; see also the <xref ref-type="supplementary-material" rid="SM1">Supplementary Material</xref> for a comparison of the low-level visual properties of the two different mystery sets following the method employed by <xref ref-type="bibr" rid="B7">Berman et al., 2014</xref>). Typically, studies interested in attention restoration rely on images of nature vs. urban settings; consequently, effect sizes can be exacerbated by other components not necessarily related to the manipulation <italic>per se</italic>, but also to the visual characteristics inherent to nature and urban settings (<xref ref-type="bibr" rid="B7">Berman et al., 2014</xref>; <xref ref-type="bibr" rid="B99">Scott et al., 2020</xref>). Here, relying on two sets of nature images similar in appearance might have reduced the amplitude of the mystery effect, though significant results were still observed. Future studies should attempt to reproduce the current pattern of results with other sets of high and low mystery nature images that are similar (to replicate our findings) but also different from one another (to extend the current findings, perhaps even including a variety of urban images as well).</p>
<p>Second, one could argue that a 5-s exposure in a lab might not be long enough or ecologically-valid enough to detect actual attention involvement toward the nature settings. Such duration has, however, been shown to be sufficiently important for nature images to produce benefits on attention (cf., the recognition memory results of <xref ref-type="bibr" rid="B108">Szolosi et al., 2014</xref>). Concerning the potential lack of authenticity, previous studies have successfully used controlled laboratory experiments, performed by volunteer college students, to assess nature&#x2019;s positive impact on cognitive measures (e.g., <xref ref-type="bibr" rid="B10">Berto, 2005</xref>; <xref ref-type="bibr" rid="B8">Berman et al., 2008</xref>). Moreover, <xref ref-type="bibr" rid="B35">Hartig et al. (1997)</xref> have shown that perceived fascination measures were consistent whether participants interacted with actual or pictured natural settings (see also <xref ref-type="bibr" rid="B102">Stamps, 1990</xref>, for a meta-analysis regarding preference consistency between <italic>in situ</italic> and photographed environments; but see <xref ref-type="bibr" rid="B106">Stevenson et al., 2018</xref>). Relying on a lab study also permitted a test of boundary conditions of an &#x201C;involuntary attention alone&#x201D; hypothesis, allowing an assessment of rapid automatic/involuntary mechanisms as well as longer controlled/voluntary effects, where the latter have been partially demonstrated in real-life conditions (<xref ref-type="bibr" rid="B42">Hopman et al., 2020</xref>; <xref ref-type="bibr" rid="B99">Scott et al., 2020</xref>). Additionally, and despite previous criticisms reported for the PRS ability to objectively represent fascination and to distinguish between soft and hard fascination (see, e.g., <xref ref-type="bibr" rid="B3">Basu et al., 2018</xref>; <xref ref-type="bibr" rid="B83">Neilson et al., 2019</xref>), the relatively low levels of fascination reported by the participants for each type of image (<italic>M</italic> = 2.36 for low-mystery images, <italic>M</italic> = 2.82 for high-mystery images) could challenge the idea that these images are endowed with restoration potential. While those levels are strongly correlated (<italic>r</italic> = +0.90) to the ratings of <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref> and relatively similar (<italic>M</italic> = 2.59 for low-mystery images, <italic>M</italic> = 3.11 for high-mystery images, with a mean difference of 0.26 points), we acknowledge that those levels seem different from those typically observed in ART literature (e.g., similar to the low fascination scores reported for non-restorative urban images in <xref ref-type="bibr" rid="B10">Berto, 2005</xref>). The relationship between restoration potential and levels of attention engagement toward an environment/activity can, however, be seen as a continuum, starting from very low to high fascination where different levels lead to different forms and levels of attention engagement/consumption (<xref ref-type="bibr" rid="B108">Szolosi et al., 2014</xref>; <xref ref-type="bibr" rid="B3">Basu et al., 2018</xref>). Here, as explained earlier, the images that were used were highly similar to one another and may represent a specific part of this continuum with potentially lower&#x2014;but still present&#x2014;potential for restoration. Moreover, despite these low differences in fascination reports, we did empirically observe differences in attention engagement, and even in cognitive benefits in previous studies (cf. <xref ref-type="bibr" rid="B108">Szolosi et al., 2014</xref>), hence supporting functional differences in the effects generated by these two sets of images. Nevertheless, future studies could attempt to replicate our results by using varying exposure durations with the images to determine whether measures of attention might change with greater or lesser time-on-task, and presumably, engagement with the nature images. It may also be worthwhile for future work to assess whether our findings would generalize with environments, whether actual or pictured, that would differ more and thus cover a higher spectrum in terms of mystery, fascination, attentional engagement, and restoration potential.</p>
<p>Third, the present experimental design differed from classic ART studies where, following a fatigue-inducing task, participants are exposed to either urban or nature images to examine the restoration effect on a given cognitive task. Even so, other studies have relied only on nature and manipulated aspects such as the level of engagement (<xref ref-type="bibr" rid="B23">Duvall, 2011</xref>; <xref ref-type="bibr" rid="B62">Lin et al., 2014</xref>; <xref ref-type="bibr" rid="B87">Pasanen et al., 2018</xref>) or characteristics of the settings (<xref ref-type="bibr" rid="B108">Szolosi et al., 2014</xref>). Besides, <xref ref-type="bibr" rid="B99">Scott et al. (2020)</xref> pointed out that comparisons with urban settings also add potential confounds that may be difficult to disentangle, especially if one needs to investigate a specific component related to nature&#x2019;s restoration potential. Regarding the absence of resource-depleting task before the presentation of the nature images, even if mental fatigue is considered highly prevalent among college students (<xref ref-type="bibr" rid="B52">Kaplan, 1995</xref>; <xref ref-type="bibr" rid="B109">Tennessen and Cimprich, 1995</xref>; <xref ref-type="bibr" rid="B116">Versaevel, 2014</xref>), our goal was not necessarily to assess the restoration potential of the nature images, but rather to examine how attention would be deployed. As such, the absence of fatigue among the participants might not impact our comparisons between low and high mystery nature settings. However, future work could extend the current investigation to include urban images perceived either low or high on their mystery properties as well as depleting participants&#x2019; attentional resources before being exposed to the nature or urban images to assess whether directed attention would be engaged differently. A more classic intervention approach using these sets of images could also be privileged to replicate the restorative benefits of mystery and further support the benefits of engagement for attention restoration by this type of nature.</p>
<p>Finally, the fact that the current pattern of results demonstrates activation of directed attention could also be challenged by the validity of ART itself. While ART represents one of the main theoretical approaches used in the literature to explain the empirical benefits observed following exposure to restorative nature, it is also highly criticized. <xref ref-type="bibr" rid="B49">Joye and Dewitte (2018)</xref> provide a comprehensive criticism of the empirical and conceptual limitations of ART. In fact, while reporting relevant literature to support their claim, they suggest that: (a) supports of actual cognitive restoration&#x2014;and specifically of directed attention&#x2014;still remains tenuous; (b) the concept of soft fascination is too vague and lacks clear operationalization; (c) the notion of effortless attention recovery by nature settings is elusive; and (d) the idea that it relies on evolutionary and adaptive mechanisms is insufficiently supported. At first glance, our results may provide some answers to Joye and Dewitte&#x2019;s critique. Indeed, our results of superior attention engagement toward high-mystery (and allegedly restorative) nature support the idea that ART&#x2019;s notion of &#x201C;effortless&#x201D; attention recovery may be incorrect. What is more, the differences in attention engagement, likeability levels and in low-level visual properties&#x2014;including luminance, but also curvilinear lines, color saturation and entropy (see the <xref ref-type="supplementary-material" rid="SM1">Supplementary Material</xref>)&#x2014; can also help to better operationalize the concept of fascination. Yet, our interpretation largely relies on the distinction between directed (voluntary) and automatic (involuntary) attention during exposure, a phenomenon challenged by Joye and Dewitte. Regardless, we still demonstrated differences in attention engagement while participants were exposed to two sets of mysterious nature being characterized by different visual properties and rated at distinct levels on their fascination and likeability levels. From an empirical point of view, these results still shed light on the deployment of (visual) attention that can ensue from distinct levels of fascination and interest toward a nature visual scene. In this light, the current paper adds to a growing number of recent studies demonstrating greater psychophysiological responses when interacting with nature, suggesting greater involvement of attentional networks and emphasizing behavioral responses to nature as a stimulus, rather than focusing on restoration outcomes in response to nature <italic>per se</italic> (see <xref ref-type="bibr" rid="B42">Hopman et al., 2020</xref>; <xref ref-type="bibr" rid="B63">LoTemplio et al., 2020</xref>; <xref ref-type="bibr" rid="B99">Scott et al., 2020</xref>).</p>
</sec>
</sec>
<sec id="S5" sec-type="conclusion">
<title>Conclusion</title>
<p>Within classical literature, authors have lauded nature for its ability to provide a venue that can facilitate cognitive clarity (<xref ref-type="bibr" rid="B26">Emerson, 1836</xref>; <xref ref-type="bibr" rid="B110">Thoreau, 1854</xref>). That is, nature seems to offer many people a place that can engage their attention effortlessly, while at the same time allowing them to maintain some attentional volition. Findings from our study align well with this notion. Interactions with certain natural settings appear to engage a form of attention that resonates with both bottom-up (involuntary) and top-down (voluntary) cognitive processes. Hence, interacting with nature may not permit directed attention to rest, but rather engages it in a way that resonates with bottom-up visual properties of the environment. Such resonance may serve to recalibrate flexible attention&#x2019;s relationship with the environment, moving away from top-down inhibition to sources of interference that may be cognitively depleting and effortful toward the capture of attention by fascinating stimuli, thereby facilitating its restoration. The culmination of this work could eventually lead to the development of cognition-supportive systems or interventions that might be used by workers, students, or simply people who seek attention recovery following&#x2014;or preceding&#x2014;any period of cognitive fatigue. The stress and the cognitive challenges (e.g., interruptions, distractions, rapid and complex problem solving, dual tasking, information retention, and long periods of vigilance) that students (e.g., <xref ref-type="bibr" rid="B79">Misra and McKean, 2000</xref>; <xref ref-type="bibr" rid="B95">Robotham and Julian, 2006</xref>; <xref ref-type="bibr" rid="B116">Versaevel, 2014</xref>; <xref ref-type="bibr" rid="B32">Guerra-Carrillo et al., 2017</xref>) and workers from an office (e.g., <xref ref-type="bibr" rid="B121">Young and Berry, 1979</xref>; <xref ref-type="bibr" rid="B47">Jett and George, 2003</xref>; <xref ref-type="bibr" rid="B18">Crompton, 2011</xref>; <xref ref-type="bibr" rid="B67">Mak and Lui, 2012</xref>) or high-risk domains (e.g., <xref ref-type="bibr" rid="B21">Dehais et al., 2014</xref>; <xref ref-type="bibr" rid="B31">Grier, 2015</xref>; <xref ref-type="bibr" rid="B41">Hodgetts et al., 2017</xref>; <xref ref-type="bibr" rid="B68">Marois et al., 2019</xref>) confront might be mitigated by using these interventions.</p>
<p>In conclusion, future work should consider the extent to which interacting actively with high-mystery nature scenes translates into secondary benefits on cognitive tests but especially measures of executive attention. Further investigation of the proposed attentional resonance between top-down and bottom-up forms of processing is also needed to assess how perception, deployment of attention, memory, and even internal thoughts (mind wandering) can be impacted by mystery, fascination or other image properties. For example, these studies could provide converging evidence on whether cognitive engagement with high-mystery, and thus more fascinating, nature settings may impact mind wandering thoughts compared to low-mystery settings. This could provide additional evidence of the active engagement of directed attention during restoration by nature.</p>
</sec>
<sec id="S6" sec-type="data-availability">
<title>Data Availability Statement</title>
<p>The raw data supporting the conclusions of this article will be made available by the authors, without undue reservation.</p>
</sec>
<sec id="S7">
<title>Ethics Statement</title>
<p>The studies involving human participants were reviewed and approved by Colorado Multiple Institutional Review Board, University of Colorado Denver. The patients/participants provided their written informed consent to participate in this study.</p>
</sec>
<sec id="S8">
<title>Author Contributions</title>
<p>AM and JW developed the study concept and experimental design. AM and BC contributed to the acquisition and analysis of the data under the supervision of JW. All authors took part in the interpretation of the data. AM, JW, and BC drafted the manuscript and key revisions were provided by AS. All authors approved the final version of the manuscript for submission.</p>
</sec>
<sec id="conf1" sec-type="COI-statement">
<title>Conflict of Interest</title>
<p>AM was employed by the company Thales Research and Technology Canada. The remaining authors declare that the research was conducted in the absence of any commercial or financial relationships that could be construed as a potential conflict of interest.</p>
</sec>
<sec id="pudiscl1" sec-type="disclaimer">
<title>Publisher&#x2019;s Note</title>
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<sec id="S10" sec-type="supplementary-material"><title>Supplementary Material</title>
<p>The Supplementary Material for this article can be found online at: <ext-link ext-link-type="uri" xlink:href="https://www.frontiersin.org/articles/10.3389/fpsyg.2021.759616/full#supplementary-material">https://www.frontiersin.org/articles/10.3389/fpsyg.2021.759616/full#supplementary-material</ext-link></p>
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<fn-group>
<fn id="footnote1">
<label>1</label>
<p>The complete image set, as well as the <xref ref-type="bibr" rid="B108">Szolosi et al. (2014)</xref> normative data for mystery and fascination ratings, can be found online at: <ext-link ext-link-type="uri" xlink:href="http://www.frontiersin.org/journal/10.3389/fpsyg.2014.01360/abstract">http://www.frontiersin.org/journal/10.3389/fpsyg.2014.01360/abstract</ext-link>.</p></fn>
<fn id="footnote2">
<label>2</label>
<p>According to <xref ref-type="bibr" rid="B6">Beatty and Lucero-Wagoner (2000)</xref>, the peak of the pupillary light reflex occurs within a timeframe of 500 and 1,000 ms following the change in luminance (see also <xref ref-type="bibr" rid="B64">Lowenstein and Loewenfeld, 1952a</xref>,<xref ref-type="bibr" rid="B65">b</xref>; <xref ref-type="bibr" rid="B74">Math&#x00F4;t et al., 2018</xref>). The latency of this reflex is however, dependent on the intensity of the luminance change, but also on the duration of the light-changing stimulus (e.g., <xref ref-type="bibr" rid="B117">Wang et al., 2018</xref>). Because the presentation duration of the nature images was the same regardless of the type of trial, the same time-window for the light reflex was used for low- and high-mystery images. More specifically, this 500&#x2013;5,000-ms time-window was chosen following a visual inspection of the average pupillometric signal where we identified the peak of that reflex as occurring around 500 ms post-stimulus (see <xref ref-type="fig" rid="F2">Figure 2</xref>).</p></fn>
<fn id="footnote3">
<label>3</label>
<p>The fact that fascination levels can be considered relatively low but that the levels of likeability can be considered moderate (i.e., a bit superior to mid-scale) supports that the nature images most likely did not elicit hard fascination. This type of fascination is mainly associated with attention-consuming urban images and inferior reports of preference (<xref ref-type="bibr" rid="B114">Valtchanov and Ellard, 2015</xref>).</p></fn>
<fn id="footnote4">
<label>4</label>
<p>Note that measures of likeability and fascination were also averaged among all participants for each image to conduct an item-based analysis. Two-sample <italic>t</italic>-tests supported that the difference between low and high mystery images was statistically significant for the likeability score [low-mystery images: <italic>M</italic> = 3.60, <italic>SD</italic> = 0.35; high-mystery images: <italic>M</italic> = 4.00, <italic>SD</italic> = 0.42; <italic>t</italic>(78) = 4.66, <italic>p</italic> &#x003C; 0.001, Cohen&#x2019;s <italic>d</italic> = 1.04] and for the fascination score [low-mystery images: <italic>M</italic> = 2.36, <italic>SD</italic> = 0.36; high-mystery images: <italic>M</italic> = 2.82, <italic>SD</italic> = 0.42; <italic>t</italic>(78) = 5.16, <italic>p</italic> &#x003C; 0.001, Cohen&#x2019;s <italic>d</italic> = 1.18].</p></fn>
</fn-group>
</back>
</article>