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<front>
<journal-meta>
<journal-id journal-id-type="publisher-id">Front. Plant Sci.</journal-id>
<journal-title>Frontiers in Plant Science</journal-title>
<abbrev-journal-title abbrev-type="pubmed">Front. Plant Sci.</abbrev-journal-title>
<issn pub-type="epub">1664-462X</issn>
<publisher>
<publisher-name>Frontiers Media S.A.</publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.3389/fpls.2023.1191677</article-id>
<article-categories>
<subj-group subj-group-type="heading">
<subject>Plant Science</subject>
<subj-group>
<subject>Editorial</subject>
</subj-group>
</subj-group>
</article-categories>
<title-group>
<article-title>Editorial: #ArtGenetics - looking at art to trace plant evolution</article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author" corresp="yes">
<name>
<surname>De Smet</surname>
<given-names>Ive</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
<xref ref-type="aff" rid="aff2">
<sup>2</sup>
</xref>
<xref ref-type="author-notes" rid="fn001">
<sup>*</sup>
</xref>
<uri xlink:href="https://loop.frontiersin.org/people/100869"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname>Vergauwen</surname>
<given-names>David</given-names>
</name>
<xref ref-type="aff" rid="aff3">
<sup>3</sup>
</xref>
<uri xlink:href="https://loop.frontiersin.org/people/1089091"/>
</contrib>
</contrib-group>
<aff id="aff1">
<sup>1</sup>
<institution>Department of Plant Biotechnology and Bioinformatics, Ghent University</institution>, <addr-line>Ghent</addr-line>, <country>Belgium</country>
</aff>
<aff id="aff2">
<sup>2</sup>
<institution>VIB Center for Plant Systems Biology</institution>, <addr-line>Ghent</addr-line>, <country>Belgium</country>
</aff>
<aff id="aff3">
<sup>3</sup>
<institution>Cedom-Madoc</institution>, <addr-line>Brussels</addr-line>, <country>Belgium</country>
</aff>
<author-notes>
<fn fn-type="edited-by">
<p>Edited and Reviewed by: Susann Wicke, Humboldt University of Berlin, Germany</p>
</fn>
<fn fn-type="corresp" id="fn001">
<p>*Correspondence: Ive De Smet, <email xlink:href="mailto:ive.desmet@psb.vib-ugent.be">ive.desmet@psb.vib-ugent.be</email>; <uri xlink:href="https://www.twitter.com/IveDeSmet1978">@IveDeSmet1978</uri>
</p>
</fn>
<fn fn-type="other" id="fn002">
<p>This article was submitted to Plant Systematics and Evolution, a section of the journal Frontiers in Plant Science</p>
</fn>
</author-notes>
<pub-date pub-type="epub">
<day>19</day>
<month>04</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="collection">
<year>2023</year>
</pub-date>
<volume>14</volume>
<elocation-id>1191677</elocation-id>
<history>
<date date-type="received">
<day>22</day>
<month>03</month>
<year>2023</year>
</date>
<date date-type="accepted">
<day>05</day>
<month>04</month>
<year>2023</year>
</date>
</history>
<permissions>
<copyright-statement>Copyright &#xa9; 2023 De Smet and Vergauwen</copyright-statement>
<copyright-year>2023</copyright-year>
<copyright-holder>De Smet and Vergauwen</copyright-holder>
<license xlink:href="http://creativecommons.org/licenses/by/4.0/">
<p>This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.</p>
</license>
</permissions>
<related-article id="RA1" related-article-type="commentary-article" xlink:href="https://www.frontiersin.org/research-topics/16431" ext-link-type="uri">Editorial on the Research Topic<article-title>#ArtGenetics - looking at art to trace plant evolution</article-title>
</related-article>
<kwd-group>
<kwd>art</kwd>
<kwd>genetics</kwd>
<kwd>evolution</kwd>
<kwd>interdisciplinary approach</kwd>
<kwd>domestication</kwd>
</kwd-group>
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</front>
<body>
<p>Our fruits, vegetables, and cereal crops stem from a wild ancestor and have undergone major changes through millennia of domestication and selection. The approach of combining art history and genetics, or #ArtGenetics, to trace plant evolution and domestication is a fascinating and interdisciplinary field of research. By analyzing artistic and historical representations of crops, researchers can gain insights into the origins, diversity, and distribution of these plants. This approach can lead to the development of new hypotheses and inform future studies. The mini review by <ext-link ext-link-type="uri" xlink:href="https://doi.org/10.3389/fpls.2021.757439">De Smet and Vergauwen</ext-link> discusses this approach from the art historian&#x2019;s point of view and highlights the advantages and limitations of using art history in combination with genetics to study plant evolution. They also call for the development of a global art database to facilitate such analyses.</p>
<p>
<ext-link ext-link-type="uri" xlink:href="https://doi.org/10.3389/fpls.2022.834416">Kazemi-Shahandashti et&#xa0;al.</ext-link> review the place and time of saffron domestication and cultivation, and address its presumed autopolyploid origin involving cytotypes of wild <italic>Crocus cartwrightianus</italic>. Their article exemplifies the #ArtGenetics approach by using ancient arts and recent genetics to trace the evolutionary origin of saffron crocus.</p>
<p>To map the evolution and domestication of plants, artistic and historical images are a valuable source. This can lead to new hypotheses for researchers studying the origins, diversity, and distribution of a crop. <ext-link ext-link-type="uri" xlink:href="https://doi.org/10.3389/fpls.2021.689926">Goldman and Janick</ext-link> discuss artistic and historical representations of table beet to explore the evolution of its root morphology. <ext-link ext-link-type="uri" xlink:href="https://doi.org/10.3389/fpls.2022.851029">Myers et&#xa0;al.</ext-link> review 16th-century manuscripts and illustrations to address what and when common beans reached Europe. They suggest that both Middle American and Andean types were in the Caribbean at the time of the Columbian exchange and that beans from both centers were informally introduced into Europe early on. These two examples demonstrate how the analysis of artistic and historical representations can be used to explore the evolution and domestication of crops.</p>
<p>Finally, <ext-link ext-link-type="uri" xlink:href="https://doi.org/10.3389/fpls.2021.637115">Arias et&#xa0;al.</ext-link> use a combination of developmental studies and transcriptomics to understand the vegetative domestication syndrome of kale. To identify candidate genes that are responsible for the evolution of domestic kale, they searched for transcriptome-wide differences among three vegetative <italic>B. oleracea</italic> morphotypes. This work further highlights the potential of integrating different approaches in plant evolution research.</p>
<p>Overall, the #ArtGenetics approach represents a promising avenue for studying plant evolution and domestication. As more artwork and historical representations become digitized and easily accessible, it is likely that this field will continue to grow and produce new insights.</p>
<sec id="s1" sec-type="author-contributions">
<title>Author contributions</title>
<p>All authors listed have made a substantial, direct, and intellectual contribution to the work and approved it for publication.</p>
</sec>
</body>
<back>
<sec id="s2" sec-type="COI-statement">
<title>Conflict of interest</title>
<p>The authors declare that the research was conducted in the absence of any commercial or financial relationships that could be construed as a potential conflict of interest.</p>
</sec>
<sec id="s3" sec-type="disclaimer">
<title>Publisher&#x2019;s note</title>
<p>All claims expressed in this article are solely those of the authors and do not necessarily represent those of their affiliated organizations, or those of the publisher, the editors and the reviewers. Any product that may be evaluated in this article, or claim that may be made by its manufacturer, is not guaranteed or endorsed by the publisher.</p>
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