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<front>
<journal-meta>
<journal-id journal-id-type="publisher-id">Front. Commun.</journal-id>
<journal-title>Frontiers in Communication</journal-title>
<abbrev-journal-title abbrev-type="pubmed">Front. Commun.</abbrev-journal-title>
<issn pub-type="epub">2297-900X</issn>
<publisher>
<publisher-name>Frontiers Media S.A.</publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.3389/fcomm.2025.1630596</article-id>
<article-categories>
<subj-group subj-group-type="heading">
<subject>Communication</subject>
<subj-group>
<subject>Opinion</subject>
</subj-group>
</subj-group>
</article-categories>
<title-group>
<article-title>Digital storytelling and the pedagogy of belonging: reimagining inclusion in higher education</article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author" corresp="yes">
<name><surname>Thomas</surname> <given-names>Sobi</given-names></name>
<xref ref-type="aff" rid="aff1"><sup>1</sup></xref>
<xref ref-type="aff" rid="aff2"><sup>2</sup></xref>
<xref ref-type="corresp" rid="c001"><sup>&#x0002A;</sup></xref>
<uri xlink:href="http://loop.frontiersin.org/people/2926212/overview"/>
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<role content-type="https://credit.niso.org/contributor-roles/writing-original-draft/"/>
<role content-type="https://credit.niso.org/contributor-roles/visualization/"/>
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<role content-type="https://credit.niso.org/contributor-roles/conceptualization/"/>
</contrib>
<contrib contrib-type="author">
<name><surname>Manalil</surname> <given-names>Paul</given-names></name>
<xref ref-type="aff" rid="aff2"><sup>2</sup></xref>
<uri xlink:href="http://loop.frontiersin.org/people/3090182/overview"/>
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</contrib-group>
<aff id="aff1"><sup>1</sup><institution>School of Social Science, Arts and Humanities, Lincoln University College Malaysia</institution>, <addr-line>Petaling Jaya</addr-line>, <country>Malaysia</country></aff>
<aff id="aff2"><sup>2</sup><institution>Department of Communication and Media Studies, Marian College Kuttikkanam Autonomous, Kuttikkanam</institution>, <addr-line>Kerala</addr-line>, <country>India</country></aff>
<author-notes>
<fn fn-type="edited-by"><p>Edited by: Kathryn Waddington, University of Westminster, United Kingdom</p></fn>
<fn fn-type="edited-by"><p>Reviewed by: Andy Pitchford, University of Westminster, United Kingdom</p>
<p>Sophie Ward, Durham University, United Kingdom</p></fn>
<corresp id="c001">&#x0002A;Correspondence: Sobi Thomas <email>fr.sobi&#x00040;mariancollege.org</email></corresp>
</author-notes>
<pub-date pub-type="epub">
<day>07</day>
<month>07</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="collection">
<year>2025</year>
</pub-date>
<volume>10</volume>
<elocation-id>1630596</elocation-id>
<history>
<date date-type="received">
<day>18</day>
<month>05</month>
<year>2025</year>
</date>
<date date-type="accepted">
<day>20</day>
<month>06</month>
<year>2025</year>
</date>
</history>
<permissions>
<copyright-statement>Copyright &#x000A9; 2025 Thomas and Manalil.</copyright-statement>
<copyright-year>2025</copyright-year>
<copyright-holder>Thomas and Manalil</copyright-holder>
<license xlink:href="http://creativecommons.org/licenses/by/4.0/"><p>This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.</p></license>
</permissions>
<kwd-group>
<kwd>digital storytelling</kwd>
<kwd>belonging</kwd>
<kwd>higher education</kwd>
<kwd>inclusion</kwd>
<kwd>student voice</kwd>
</kwd-group>
<counts>
<fig-count count="1"/>
<table-count count="0"/>
<equation-count count="0"/>
<ref-count count="17"/>
<page-count count="4"/>
<word-count count="1881"/>
</counts>
<custom-meta-wrap>
<custom-meta>
<meta-name>section-at-acceptance</meta-name>
<meta-value>Culture and Communication</meta-value>
</custom-meta>
</custom-meta-wrap>
</article-meta>
</front>
<body>
<sec id="s1">
<title>1 Introduction</title>
<p>The incorporation of technology in higher education has transformed the way students interact, communicate, and learn. Of these technological advancements, digital storytelling has been at the forefront as a communicative practice of power&#x02014;blending personal narrative with technology to enhance reflection, creativity, and connection (Dutta and Keith, <xref ref-type="bibr" rid="B5">2023</xref>). As the universities across the globe are faced with the problems of inclusion, diversity, and engagement, the practice of digital storytelling provides a timely solution through developing a pedagogy of belonging. This opinion piece establishes that the practice of digital storytelling may be strategically located within institutional communication models and pedagogical frameworks to foster more inclusive, engaged, and empathetic learning communities (Petousi et al., <xref ref-type="bibr" rid="B12">2022</xref>).</p>
<p>Although the function of social media to promote engagement and trust has been investigated in the literature, the potential of student-initiated narrative construction is less exploited (Manganello and Baldacci, <xref ref-type="bibr" rid="B9">2024</xref>). Digital narrative has the potential to not just operate as an engine for storytelling but also a way of reimagining belonging in the learning environment. Based on communication theory, educational psychology, and institutional practice, this paper critically assesses the potential strengths and weaknesses of using digital storytelling as a mechanism for inclusivity and outlines a framework for its implementation.</p></sec>
<sec id="s2">
<title>2 The concept of belonging in higher education</title>
<p>A sense of belonging is a foundational component of student success and wellbeing (Dunleavy and Burke, <xref ref-type="bibr" rid="B4">2019</xref>). Crawford et al. (<xref ref-type="bibr" rid="B3">2023</xref>) describe belonging as an individual&#x00027;s perceived social support and connection within an institution. Numerous studies confirm that when students feel seen and valued, their academic performance, retention, and emotional wellbeing improve (Strayhorn, <xref ref-type="bibr" rid="B16">2021</xref>; Waya et al., <xref ref-type="bibr" rid="B17">2017</xref>).</p>
<p>Though of high importance, numerous higher education settings fail to create inclusive climates for diverse student populations. Marginalized groups&#x02014;international students, first-generation college students, students of minoritized groups&#x02014;too commonly experience isolation and invisibility (Pe&#x0010D;ek et al., <xref ref-type="bibr" rid="B10">2008</xref>). Often, institutions turn to static representations or top-down message campaigns to address these issues, which may fail to speak to student experience in meaningful ways.</p>
<p>The conceptual model of digital storytelling&#x00027;s impact on institutional inclusion is visualized in <xref ref-type="fig" rid="F1">Figure 1</xref>. The concept of a &#x0201C;pedagogy of belonging&#x0201D; invites educators and institutions to embed belonging into curriculum, communication, and culture (Koo et al., <xref ref-type="bibr" rid="B8">2024</xref>). This pedagogy acknowledges the social, emotional, and identity-related dimensions of learning and proposes that belonging should be co-created through active participation and authentic storytelling.</p>
<fig id="F1" position="float">
<label>Figure 1</label>
<caption><p>Conceptual model of digital storytelling&#x00027;s impact on institutional inclusion.</p></caption>
<alt-text>Venn diagram illustrating &#x0201C;Belonging&#x0201D; at the center, surrounded by four elements: &#x0201C;Student Voice&#x0201D; with authentic narratives, &#x0201C;Digital Expression&#x0201D; with multimodal creativity, &#x0201C;Institutional Culture&#x0201D; with openness to student-led media, and &#x0201C;Peer Engagement&#x0201D; highlighting policy engagement. Each element contributes to emotional, social, and academic inclusion.</alt-text>
<graphic mimetype="image" mime-subtype="tiff" xlink:href="fcomm-10-1630596-g0001.tif"/>
</fig></sec>
<sec id="s3">
<title>3 Digital storytelling as a communication tool</title>
<p>Digital storytelling is a multimodal method that combines personal narrative with video, images, sound, and text. First popularized in community-based education and journalism, its applications have since expanded into mainstream pedagogy. Its alignment with constructivist learning theory&#x02014;where knowledge is actively constructed by learners&#x02014;makes it especially relevant for inclusive education (Shin, <xref ref-type="bibr" rid="B14">2016</xref>; Smeda et al., <xref ref-type="bibr" rid="B15">2014</xref>).</p>
<p>A student who shares a digital story about navigating higher education as a migrant, for instance, does not just communicate a personal experience; they contribute to the broader institutional narrative. These stories humanize abstract concepts like inclusion, resilience, and diversity, offering both peers and educators insights that traditional forms of communication cannot. Unlike institutional campaigns, digital storytelling decentralizes authority and amplifies student voices from within the community (Ruiz-P&#x000E9;rez, <xref ref-type="bibr" rid="B13">2023</xref>).</p>
<p>An experimental research by Pellas (<xref ref-type="bibr" rid="B11">2023</xref>) demonstrates how storytelling platforms can help students develop self-efficacy, agency, and academic confidence. Moreover, by engaging with tools such as video editing, scripting, and online publishing, students also develop technical skills essential for 21st-century communication.</p></sec>
<sec id="s4">
<title>4 Institutional integration and practical challenges</title>
<p>For digital storytelling to move from the margins to the mainstream in higher education, institutions must integrate it into official communication strategies, student development programs, and curriculum design (Bryant, <xref ref-type="bibr" rid="B2">2023</xref>). Some universities have piloted digital storytelling labs or allowed students to take over official social media channels temporarily, as seen in recent European models (Galioto et al., <xref ref-type="bibr" rid="B6">2025</xref>).</p>
<p>However, institutional adoption is not without challenges. Key concerns include:</p>
<list list-type="bullet">
<list-item><p><bold>Privacy and ethics</bold>: students may unintentionally share sensitive content. Clear ethical guidelines and informed consent processes are critical.</p></list-item>
<list-item><p><bold>Digital divide</bold>: not all students have equal access to technology or the skills to create high-quality media. Training and resource allocation are essential (Gulzar et al., <xref ref-type="bibr" rid="B7">2024</xref>).</p></list-item>
<list-item><p><bold>Evaluation frameworks</bold>: measuring the impact of digital storytelling on belonging or inclusion is complex and may require mixed-method approaches.</p></list-item>
</list>
<p>Despite these obstacles, institutions that invest in this practice report enhanced student engagement and a more authentic institutional image.</p></sec>
<sec id="s5">
<title>5 Constructive reflections and future directions</title>
<p>Digital storytelling is not a cure-all for exclusion, but it is an earnest step toward inclusive and participatory academic communication. To move toward implementation, the following should be considered by universities:</p>
<list list-type="order">
<list-item><p><bold>Establish storytelling labs</bold>: create campus spaces where students receive mentorship and access to media production tools.</p></list-item>
<list-item><p><bold>Integrate into courses</bold>: encourage departments, especially within the humanities and social sciences, to embed storytelling assignments into coursework.</p></list-item>
<list-item><p><bold>Use in orientation and transition programs</bold>: stories from current students can support new students&#x00027; integration (Austen et al., <xref ref-type="bibr" rid="B1">2020</xref>).</p></list-item>
<list-item><p><bold>Collaborate across departments</bold>: connect communication, education, and IT departments to ensure holistic support.</p></list-item>
</list>
<p>Future studies should investigate the long-term influence of storytelling on institutional culture and validate scalable models across cultures. Cross-institution partnerships and public sharing (e.g., YouTube series, podcasting) can amplify influence and exposure.es.</p></sec>
<sec id="s6">
<title>6 Discussion</title>
<p>This piece has put forward digital storytelling as an emancipatory tool for building inclusive communication cultures in higher education. By infusing the institutional narrative with student voice, universities are capable of moving from a performativity of inclusion to genuine engagement. Belonging pedagogy, made possible through the medium of digital, is a road to equity, identity affirmation, and respect.</p>
<p>Based on theory and augmented by developing practice, this frame encourages institutions to rethink how they represent who belongs at the university&#x02014;and to whom the university belongs. Amidst a time of unprecedented technological disruption, increasing demands for justice and inclusion, digital storytelling is a participatory, compassionate, and future-oriented answer.</p></sec>
</body>
<back>
<sec sec-type="author-contributions" id="s7">
<title>Author contributions</title>
<p>ST: Investigation, Writing &#x02013; original draft, Visualization, Writing &#x02013; review &#x00026; editing, Conceptualization. PM: Writing &#x02013; review &#x00026; editing, Writing &#x02013; original draft, Supervision.</p>
</sec>
<sec sec-type="funding-information" id="s8">
<title>Funding</title>
<p>The author(s) declare that no financial support was received for the research and/or publication of this article.</p>
</sec>
<sec sec-type="COI-statement" id="conf1">
<title>Conflict of interest</title>
<p>The authors declare that the research was conducted in the absence of any commercial or financial relationships that could be construed as a potential conflict of interest.</p>
</sec>
<sec sec-type="ai-statement" id="s9">
<title>Generative AI statement</title>
<p>The author(s) declare that no Gen AI was used in the creation of this manuscript.</p></sec>
<sec sec-type="disclaimer" id="s10">
<title>Publisher&#x00027;s note</title>
<p>All claims expressed in this article are solely those of the authors and do not necessarily represent those of their affiliated organizations, or those of the publisher, the editors and the reviewers. Any product that may be evaluated in this article, or claim that may be made by its manufacturer, is not guaranteed or endorsed by the publisher.</p>
</sec>
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